![]() There is no conversion process or approximation required between programs. Flexibility: No matter which creative apps you end up using, your LUTs travel with you hassle-free.You can then refine this foundation more closely on a clip-by-clip basis. With a pre-determined look, you can dash through long swathes of footage quickly, applying a generic LUT to entire sequences. Efficiency: Grading footage can be time-consuming.If you have created a grade that's working, you can easily apply the same grade elsewhere. Consistency: LUTs take the guesswork out of color grading.Here are a few reasons someone might want to use a LUT instead of manually grading footage: We respect the artisanal approach-don't get us wrong-but the practical benefits of using LUTs to grade footage cannot be denied, especially in a collaborative context. However, using a LUT is often easier than authoring each grade from the ground up. I’ve been unable to confirm details and any specific numbers on the changes of latitude that this recording process would bring as an increase to the possibilities when recording in the standard video mode of an iPhone. On top of that, Makayama suggests that the user may choose LUTs like the Sony S-log2 or S-Log3 to correct the footage automatically.Īre you interested in trying out the Makayama Flat Color Camera App? Let us know what you think – we’ll happily put it through its paces too.More experienced users might scoff at pre-formulating a generic look for everything. ![]() The example above is supposed to demonstrate that the user can get back more color tones and especially a higher dynamic range than he would typically be able to capture with an iPhone and its internal software. Makayama claims that typical steps of grading (such as raising the contrast, manipulating the gamma curve, and increasing saturation) are possible due to the use of this logarithmic mode. This footage is supposed to be ready for grading in professional tools like Final Cut Pro X, Adobe Premiere, Avid Media Composer or Blackmagic Design DaVinci Resolve. Makayama Flat Color Camera – Comparison Graphic (Credits: Makayama, Amsterdam, Netherlands)Īs shown in the examples above, M-LOG within “Flat Color Camera” seems to give users a strongly flattened footage. Flat Color Camera – Comparison and Color Correction It would most certainly be an advantage for a new version to control the focus manually. Why the user is unable to set the focus point individually remains unclear to me as of this writing. The press release also points out that exposure, ISO, and also focus are automatically adjusted when recording with the app. The user is further able to select from HD or 4K resolution with each 24, 25, or 30 fps. Curves of the varying Makayama proprietary M-LOG’s have not been available to me so far. ![]() While all the post-processing of the frames from the sensor usually takes place inside the iPhone – when using the Camera App – and the user can only alter the result within stringent limits of the consumer-grade H.264/HEVC coded footage from the iPhone, Makayama presents users with an attractive new solution.įlat Color Camera – Profiles and Recording OptionsĪlthough an iPhone is an phone and not a “proper” cinema camera, the app now allows the user to record video in 5 flat color profiles: CINE, M-LOG1, M-LOG2, M-LOG3, and OFF. Makayama Flat Color Camera – From Grading to Post-Production (Credits: Makayama, Amsterdam, Netherlands)
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